This book explores the emergence of "lifestyle" in the US, first as a term that has become an organizing principle for the self and for the structure of everyday life, and later as a pervasive form of media that encompasses a variety of domestic and self-improvement genres, from newspaper columns to design blogs. Drawing on the methodologies of cultural studies and feminist media studies, and built upon a series of case studies from newspapers, books, television programs, and blogs, it tracks the emergence of lifestyle's discursive formation and shows its relevance in contemporary media culture. It is, in the broadest sense, about the role played by the explosion of lifestyle media texts in changing conceptualizations of selfhood and domestic life.
This eleventh volume in the SAGE Series on Green Society explores the ongoing paradigm shift in culture and lifestyles toward promoting a sustainable environment. After years of discussion about the environment dating back to the 1960s counter-culture, the recent explosion of green initiatives has induced the general public to embrace all things green, from recycling in the home to admiring green celebrities. This volume assesses the green cultural transformations by presenting some 150 articles of importance to students of sociology, history, political science, communications, public relations, anthropology, literature, arts and drama. Presented in A-to-Z format, the articles include appealing topics from green Hollywood to green spirituality, green art and green restaurants. This work culminates in an outstanding reference available in both print and electronic formats for academic, university, and public libraries. Pedagogical elements in the frontmatter and backmatter include a reader's guide grouping related entries by broad themes and topics, a glossary of relevant terms, a resource guide to further readings (key books, journals, Websites), an appendix of primary documents and a thorough index.
How was the experience of watching a play influenced by practices beyond the walls of the playhouse, and what were the broader social and historical implications of the culture of playgoing? The book sets out to answer such questions. Interested first in what happened within the playhouse itself, the authors focus on the person of the actor, on stage props, visual pleasure and audience behaviour. At the same time, their discussion moves outward to consider a range of cultural assumptions and practices - such as eucharistic controversy, prostitution, social mobility, iconoclasm, Renaissance optics, the formation of national memory, and the dissemination of news. Since the two authors have very different perspectives on these issues, they have chosen a unique format: rather than submerging their opposition, they have highlighted it. Their attacks and counter-attacks, as they contest each other's views in paired chapters, result in a lively and illuminating debate.
Williamstown Festival Articles
Williamstown Festival Books