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Dance Of The Bones
J. P. Beaumont and Brandon Walker, two of New York Times bestselling author J. A. Janceâ€™s most acclaimed series characters, join forces for the first time in one of the most suspenseful works of her career.
Years ago, Amos Warren, a prospector, was gunned down out in the desert and Sheriff Brandon Walker made the arrest in the case. Now, the retired Walker is called in when the alleged killer, John Lassiter, refuses to accept a plea deal that would release him from prison with time served. Lassiter wants Brandon and The Last Chance to find Amos's "real" killer and clear his name.
Sixteen hundred miles to the north in Seattle, J.P. Beaumont is at loose ends after the Special Homicide Investigation Team, affectionately known as S.H.I.T., has been unexpectedly and completely disbanded. When Brandon discovers that there are links between Lassiterâ€™s case and an unsolved case in Seattle, he comes to Beau for help.
Those two cases suddenly become hot when two young boys from the reservation, one of them with close ties to the Walker family, go missing. Can two seasoned cops, working together, decipher the missing pieces in time to keep them alive
About the Author
J. A. Jance is the New York Times bestselling author of the J. P. Beaumont series, the Joanna Brady series, the Ali Reynolds series, and five interrelated thrillers about the Walker family, as well as a volume of poetry. Born in South Dakota and brought up in Bisbee, Arizona, Jance lives with her husband in Seattle, Washington, and Tucson, Arizona.
Every Day's A Festival!
Despite their ubiquity and cultural prominence, the academic study of arts festivals has long been neglected. The burgeoning festivals industry is, however, firmly embedded in both the arts funding and weekly calendar of European cities, and there is no doubt that festivals are fast becoming a defining feature of urban life in the twenty-first century. Understanding their nature and their potential impact is now more pressing than ever before. The contributors to this volume explore the modern urban festival and the difference it makes to the experience and management of diversity in the city. Their research reveals an unsettling coupling of the celebration of local diversity with institutional amnesia, in which the memory of a festival hardly ever outlasts its funding. This book documents a key phenomenon of our time, the supplanting of community-based remembering with the repetitive structures of events whose historic and interpretative depth is lost amid a spiraling velocity of 'festivalizationÂ¿.
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