Jazz Phillips is a lightning rod for strange cases. After the loss of his beloved Nellie, he's poured himself into his work chasing serial killers and busting dirty corporations. When he's not doing that, he's chasing light with a camera. Then a friend talks him into displaying his photos at a show in Little Rock. When he's not looking, someone leaves a camera data card where Jazz is sure to find it. There is no name on the card so he plugs it into his computer. What he finds is shocking, twenty-four pictures of people who have all been smothered. There is no doubt in his mind that a serial killer is at work and has issued him a challenge: catch me if you can. Yet Jazz has no idea where to begin to look. The security tapes of the photo show are long gone and neither he nor his friend remember anyone suspicious from the show. Aside from the data card, there is no evidence Jazz can take to the police or the FBI. Then the killer strikes again. To spur Jazz on, the killer sends him a message in the form of a body. It is someone Jazz cares for deeply, and Jazz knows he has no choice but to accept the challenge. It's kill or be killed. This killer will not stop until Jazz is utterly destroyed.
Make Your First Festival Show Rock! Are you playing your first green-field music festival or outdoor show soon? Not quite sure how it all works on the other side of the 'Artists Only' sign? Don't worry; help is at hand. My name is Andy Reynolds, a concert tour manager & live sound engineer. In this printed, paperback, mini-guide, I will give you my tips on making the most of your first festival slot. I have toured with bands and singers for more than 25 years, and work on loads of open-air, 'green-field' type festivals, such as Glastonbury, Roskilde, Coachella and Bonaroo, each summer. I know how bands can have a good show at a festival - and how they can mess up their chances by not being prepared for that all -important music festival slot. It is very important to your musical career that your festival appearances happen with no hitches, dramas or technical problems. Audiences go to music festivals to see and hear great bands. If they happen to catch you, and you are totally on fire, playing a great set and full of confidence, those people are likely to become fans. There is so much competition at each festival, and every band has that once chance to ignite the crowd, even if they are a well-known and successful act. None of the bands can afford to be ill-prepared or leave things to chance. But you need not worry about any of that - you will hit the stage looking like a pro after reading this book!
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