"How cold it is!" exclaimed Grace Ford, wrapping closer about her a fur neck-piece, and plunging her gloved hands deeper into the pockets of her maroon sweater. "I had no idea it was so chilling!""Nonsense!" cried Betty Nelson, her cheeks aglow. "Skate about, and you'll soon be warm enough. Isn't it glorious, Mollie?""Surely, and the ice is perfect. Come on Grace, and we'll see who'll be first to the bend!" and Mollie, her dark eyes dancing under the spell of the day, circled about the almost shivering Grace, doing a gliding waltz on skates."I don't want to race!" protested the tall, slim girl who had complained about the weather.
ls"Festivals, Affect and Identityrs" offers an outline of areas of continental philosophy and critical theory, which involve high levels of abstractions, yet become more accessible when related to specific events and their detailed analysis. The case study material enables theories to become more understandable in relation to application, triangulation and comparison with different theoretical frameworks. It puts flesh on the ls"hard to get hold ofrs" nature of continental philosophy.Maintaining continuity in the face of problems and ruptures and the interplay of fluidity and structure are central aspects explored and illustrated by ethnography focused on the affective dynamics of four festivals: the Palio in Siena and the Bravio in Montepulciano, both based on competitive territorial divisions; the Bruscello in Montepulciano and the Teatro Povero in Monticchiello, both theatres with links to sharecropping, a long established agrarian practice vanquished by modernity. The detailed analysis applied to this selection of case studies offers a grounding of theoretical concepts and an example of how these may be applied to analyse different phenomena. This approach sees the imprint of environmental and historical conditions as generative of a dynamic process of ever evolving community identities for which festivals provide expression, while also providing a way of living with them.
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